David Bowie - The Rise And Fall Of Ziggy Stardust And The Spiders From Mars (1972)

Tracklist:

1. "Five Years" – 4:43
2. "Soul Love" – 3:33
3. "Moonage Daydream" – 4:35
4. "Starman" – 4:16
5. "It Ain't Easy" (Ron Davies) – 2:56
6. "Lady Stardust" – 3:20
7. "Star" – 2:47
8. "Hang on to Yourself" – 2:37
9. "Ziggy Stardust" – 3:13
10. "Suffragette City" – 3:19
11. "Rock 'n' Roll Suicide" – 2:57

After flirting with heavy guitar rock ("The Man Who Sold the World") and lighter pop ("Hunky Dory"), Bowie found middle ground on Ziggy Stardust. The creation of the Ziggy Stardust persona would live on well after Bowie shed the alien skin, marking the first rock concept album by a sexually ambiguous, artistically bent musician who confounded critics at every turn. A blend of dramatic strings, swaggering saxophones, jagged guitars, and theatrical arrangements, the album's darker rock numbers like "It Ain't Easy," "Moonage Daydream," "Ziggy Stardust," and the irresistible "Suffragette City," still serve as solid excursions into the future (then and now) of rock. The buoyant "Hang on to Yourself" and the dreamy "Star" offer hints of optimism in Ziggy's bleak world. The dramatic "Rock 'n' Roll Suicide" and the image-heavy "Star Man" ("he'd like to come and meet us but thinks he'd blow our minds!") no doubt provided plenty of stage-worthy moments when Ziggy toured in the '70s, but years later they still thrill. Bowie blew our minds! --Lorry Fleming

Formato mp3 320kbps

BAJAR

----------------
Now playing: David Bowie - Moonage Daydream
via FoxyTunes

Outkast - The Love Below (2003)

Tracklist:

1. "The Love Below (Intro)" – 1:27
2. "Love Hater" – 2:49
3. "God (Interlude)" – 2:20
4. "Happy Valentine's Day" – 5:23
5. "Spread" – 3:51
6. "Where Are My Panties?" – 1:54
7. "Prototype" - 5:26
8. "She Lives in My Lap" (featuring Rosario Dawson) – 4:27
9. "Hey Ya!" – 3:55
10. "Roses" – 6:09
11. "Good Day, Good Sir" – 1:24
12. "Behold a Lady" – 4:37
13. "Pink & Blue" – 5:04
14. "Love in War" – 3:25
15. "She's Alive" – 4:06
16. "Dracula's Wedding" (featuring Kelis) – 2:32
17. "The Letter (Interlude)" - 0:20
18. "My Favorite Things" – 5:14
    
19. "Take Off Your Cool" (featuring Norah Jones) – 2:38
20. "Vibrate" – 6:33
    
21. "A Life in the Day of Benjamin André (Incomplete)" 4:50
    

Speakerboxxx/The Love Below is the fifth studio album by American hip hop duo OutKast, released September 23, 2003 on LaFace Records in the United States. Issued as a double album, it clocks at over two and-a-half hours and consists of a solo album from both of the group's members. Speakerboxxx has Big Boi performing tracks that are rooted in basic hip hop, while The Love Below, the solo project of André 3000, covers musical styles such as soul, pop, funk, and jazz.

Most critics were also particularly more interesed in André's half of the album than on Big Boi's solo venture, due to the experimentation with several music genres on The Love Below. The intro of the album was already a trip on classical music, "Love Hater" has purely jazz influences (apart from a cover of "My Favorite Things", a Richard Rodgers/Oscar Hammerstein tune), and the rest was a combination of soul, funk, R&B, and hip-hop. Will Hermes from Entertainment Weekly pointed that André's album "is as strange and rich a trip as pop offers nowadays, a song cycle about love's battle against fear and (self-) deception that's frequently profound, hilarious, and very, very sexy."

Wikipedia

Sólo The Love Below de Andre 3000 (Speakerboxxx no).


Formato mp3 320kbps
BAJAR

----------------
Now playing: Outkast - Love Hater
via FoxyTunes

Kings Of Leon - Only By The Night (2008)

Tracklist:

1. Closer
2. Crawl
3. Sex On Fire
4. Use Somebody
5. Manhattan
6. Revelry
7. Seventeen
8. Notion
9. I Want You
10. Be Somebody
11. Cold Desert

Despite a wave of criticism asserting that Kings of Leon's fourth full-length is "too commercial," Only by the Night may be the closest thing to a pitch-perfect album to drop in 2008. Granted, Tennessee's band of brothers (and one first cousin) takes a turn for the heavily polished here, but what the album lacks in rough-edged raunch, it more than makes up for in earnestness and--yes--stunning beauty. From the opening notes of "Closer" to the listing balladry of "Cold Desert," Only by the Night hardly misses a beat. Highlights abound, particularly in the trading off of melodic lines between instruments, and in this regard, bassist Jared Followill is the album's quiet MVP. Above these gorgeous instrumentals, singer Caleb emotes with a dramatic grit that never loses its command. A model of melodic rock composition, arranged and produced with a warm, inviting veneer, and performed with aching sincerity, these 11 tracks coalesce into a sanguine whole that eclipses the band's much-discussed rock posturing and yields more with every play. A good band's great album, Only by the Night (finally) establishes Kings of Leon as a rock act that's worthy of seriously sustained attention.

Jason Kirk

Formato mp3 320kbps

BAJAR

----------------
Now playing: Kings Of Leon - Notion
via FoxyTunes

Tom Waits - Closing Time (1973)

Tracklist

1. "Ol' '55" – 3:58
2. "I Hope That I Don't Fall in Love With You" – 3:54
3. "Virginia Avenue" – 3:10
4. "Old Shoes (& Picture Postcards)" – 3:40
5. "Midnight Lullaby" – 3:26
6. "Martha" – 4:30
7. "Rosie" – 4:03
8. "Lonely" – 3:12
9. "Ice Cream Man" – 3:05
10. "Little Trip to Heaven (On the Wings of Your Love)" – 3:38
11. "Grapefruit Moon" – 4:50
12. "Closing Time" – 4:20

When I listen to Closing Time, I visualise a rundown, unkept bar in an unnamed U.S. city. I see a foggy, smoky atmosphere. I see a handful of patrons alone in their own individual spaces. I see a pool table gathering dust, with no cues and no balls to play with. I see a piano hidden away in a deserted corner. I see a young jazzman, late twenties perhaps, in front of it. Nobody cares that he's been playing all night, and he doesn't care that they're not listening. A few people take a casual interest upon entrance, but soon return to their own problems. With an oft-refilled glass of scoth and a well-used ashtray atop the piano and a cigarette lit in his mouth, the musician plays the opening chords of Ole 55. He's content to be his own audience. He doesn't play for anybody else. In fact, he prefers that nobody take too close an interest in his music. If they look too closely, they'll make him uncomfortable. They'll criticize his words and his music. He doesn't want that.

Dave De Sylvia

Formato mp3 320kbps

BAJAR

Bat For Lashes - Two Suns (2009)

Tracklist:

1. Glass 4:32
2. Sleep Alone 4:02
3. Moon And Moon 3:08
4. Daniel 4:11
5. Peace Of Mind 3:28
6. Siren Song 4:58
7. Pearl's Dream 4:45
8. Good Love 4:29
9. Two Planets 4:47
10. Travelling Woman 3:46
11. The Big Sleep 2:55

Khan's real breakthrough might simply be her willingness to wear her influences more brazenly. One needn't have any more than a basic working knowledge of female innovators from the past few decades to be able to spot the ghosts lurking around this stage. The strident piano chords and lone snare of "Traveling Woman" echoes PJ Harvey's desolate roadsongs, while "Moon and Moon"'s delicate piano playing and cabinet-reverbed backing vocals evoke early Tori Amos. Elsewhere, with its pummeling rhythms, double-timed handclaps, glass harmonica trills and vocal histrionics, the moonstruck rave-up "Two Planets" owes its entire existence to Björk. But even in the moments where those influences risk running on the wrong side of overt, they never feel stolen or unearned. Just as Khan seems most comfortable when she's adorned in a patchwork of styles, eras, and ideologies, this record feels more satisfying and fully formed for its overt cutting and pasting of those different sensibilities.

What's more heartening, though, is that during Two Suns' highlights, Khan has few peers. I could probably fill this entire space just writing about "Glass", the album's aggressively propulsive opener, and about how its strange mix of elements (chamber pop, prog metal, new age-- what?) magically coalesced into some entirely new genre that I wish existed and yet still can't quite wrap my brain around. Then there's the booming "Sleep Alone", which, with its rusty guitar licks, Knife-inspired synths, buzzing basslines and floorboard percussions, feels kind of like a sea shanty circa 2074.

Mark Pytlik

Formato mp3 320kbps

BAJAR

(link removido por blogger.com, busquen en taringa..)

----------------
Now playing: Bat For Lashes - Good Love (Live)