lunes, 24 de agosto de 2009

Tom Waits - The Heart of Saturday Night (1974)


Tracklist:

1. New Coat of Paint
2. San Diego Serenade
3. Semi Suite
4. Shiver Me Timbers
5. Diamonds on My Windshield
6. The Heart of Saturday Night
7. Fumblin' With the Blues
8. Please Call Me, Baby
9. Depot, Depot
10. Drunk on the Moon
11. The Ghosts of Saturday Night


Escuchando The Heart of Saturday Night uno prácticamente se puede imaginar el bar casi vacio, mal iluminado, de ambiente viciado a cigarrillo; y en un rincón, el californiano de la voz rasposa cantando sus canciones (monólogos?) con tintes de folk, jazz y blues; con su infaltable whisky y puchos arriba del piano. Este es el disco definitivo del sábado bajonero.


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Now playing: Tom Waits - Drunk on the Moon

sábado, 1 de agosto de 2009

Joni Mitchell - Blue (1971)


Tracklist:
  1. "All I Want" – 3:32
  2. "My Old Man" – 3:33
  3. "Little Green" – 3:25
  4. "Carey" – 3:00
  5. "Blue" – 3:00
  6. "California" – 3:48
  7. "This Flight Tonight" – 2:50
  8. "River" – 4:00
  9. "A Case of You" – 4:20
  10. "The Last Time I Saw Richard" – 4:13

Sad, spare, and beautiful, Blue is the quintessential confessional singer/songwriter album. Forthright and poetic, Joni Mitchell's songs are raw nerves, tales of love and loss (two words with relative meaning here) etched with stunning complexity; even tracks like "All I Want," "My Old Man," and "Carey" -- the brightest, most hopeful moments on the record -- are darkened by bittersweet moments of sorrow and loneliness. At the same time that songs like "Little Green" (about a child given up for adoption) and the title cut (a hymn to salvation supposedly penned for James Taylor) raise the stakes of confessional folk-pop to new levels of honesty and openness, Mitchell's music moves beyond the constraints of acoustic folk into more intricate and diverse territory, setting the stage for the experimentation of her later work. Unrivaled in its intensity and insight, Blue remains a watershed.
by Jason Ankeny


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Now playing: Joni Mitchell - Blue

viernes, 24 de julio de 2009

Björk - Homogenic (1997)


Tracklist:

1. Hunter
2. Joga
3. Unravel
4. Bachelorette
5. All Neon Like
6. 5 Years
7. Immature
8. Alarm Call

9. Pluto
10. All Is Full Of Love


I wanted to make it an honest record. Me, here, myself, at home. I asked myself if there is such a thing as Icelandic techno, and how it could sound. Well, in Iceland, everything revolves around nature, 24 hours a day. Earthquakes, snowstorms, rain, ice, volcanic eruptions, geysers... Very elementary and uncontrolable. But at the other hand, Iceland is incredibly modern; everything is hi-tech. The number of people owning a computer is as high as nowhere else in the world. That contradiction is also on Homogenic. The electronic beats are the rhythm, the heartbeat. The violins create the old-fashioned atmosphere, the colouring. Homogenic is Iceland, my native country, my home.
Björk


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Now playing: Björk - Bachelorette

sábado, 18 de julio de 2009

Keith Jarret - Köln Concert (1975)


Tracklist:
  1. "Part I" – 26:15
  2. "Part II a" – 15:00
  3. "Part II b" – 19:19
  4. "Part II c" – 6:59
A musical chameleon, pianist Keith Jarrett was at his finest when he recorded these sustained solo improvisations in a German concert hall in 1975, the first lasting 26 minutes, the second 40. Melodies and rhythmic figures arise fluidly from his fingers as he moves from one idea to another, while his strong left hand is often used for repeated motifs that generate a rolling hypnotic power. This couples with strongly consonant harmonies to impart the flavor of gospel music at times, dance musics and Debussy at others. Above all, it's Jarrett's ability to knit all of his moods and wanderings into an almost seamless tapestry of warm and tuneful ideas that gives this music its enduring appeal.

Stuart Broomer

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lunes, 6 de julio de 2009

Peter Gabriel - III (Melt) (1980)


Tracklist:
  1. "Intruder" – 4:54
  2. "No Self Control" – 3:55
  3. "Start" – 1:21
  4. "I Don't Remember" – 4:41
  5. "Family Snapshot" – 4:28
  6. "And Through the Wire" – 5:00
  7. "Games Without Frontiers" – 4:06
  8. "Not One of Us" – 5:22
  9. "Lead a Normal Life" – 4:14
  10. "Biko" – 7:32

Generally regarded as Peter Gabriel's finest record, his third eponymous album finds him coming into his own, crafting an album that's artier, stronger, more song-oriented than before. Consider its ominous opener, the controlled menace of "Intruder." He's never found such a scary sound, yet it's a sexy scare, one that is undeniably alluring, and he keeps this going throughout the record. For an album so popular, it's remarkably bleak, chilly, and dark — even radio favorites like "I Don't Remember" and "Games Without Frontiers" are hardly cheerful, spiked with paranoia and suspicion, insulated in introspection. For the first time, Gabriel has found the sound to match his themes, plus the songs to articulate his themes. Each aspect of the album works, feeding off each other, creating a romantically gloomy, appealingly arty masterpiece. It's the kind of record where you remember the details in the production as much as the hooks or the songs, which isn't to say that it's all surface — it's just that the surface means as much as the songs, since it articulates the emotions as well as Gabriel's cubist lyrics and impassioned voice. He wound up having albums that sold more, or generated bigger hits, but this third Peter Gabriel album remains his masterpiece.

by Stephen Thomas Erlewine

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Now playing: Peter Gabriel - Family Snapshot